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<dc:creator>Susan Murray</dc:creator>
<dc:date>2008-08-01</dc:date>
<dc:identifier>10.1177/1470412908091935</dc:identifier>
<dc:title><![CDATA[Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics]]></dc:title>
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<title><![CDATA[Showing seeing: a critique of visual culture]]></title>
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<description><![CDATA[W. J.T. Mitchell<br />Aug  1, 2002; 1:165-181<br />Article]]></description>
<dc:creator>W. J.T. Mitchell</dc:creator>
<dc:date>2002-08-01</dc:date>
<dc:identifier>10.1177/147041290200100202</dc:identifier>
<dc:title><![CDATA[Showing seeing: a critique of visual culture]]></dc:title>
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<title><![CDATA[Adaptation, Translation, Critique]]></title>
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<description><![CDATA[Lawrence Venuti<br />Apr  1, 2007; 6:25-43<br />Article]]></description>
<dc:creator>Lawrence Venuti</dc:creator>
<dc:date>2007-04-01</dc:date>
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<dc:title><![CDATA[Adaptation, Translation, Critique]]></dc:title>
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<title><![CDATA[Visual Studies and the Iconic Turn]]></title>
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<description><![CDATA[Keith Moxey<br />Aug  1, 2008; 7:131-146<br />Article]]></description>
<dc:creator>Keith Moxey</dc:creator>
<dc:date>2008-08-01</dc:date>
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<dc:title><![CDATA[Visual Studies and the Iconic Turn]]></dc:title>
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<title><![CDATA[The Trouble with Painting, the Image (less) Text]]></title>
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<description><![CDATA[Catherine M. Soussloff<br />Aug  1, 2005; 4:203-236<br />Article]]></description>
<dc:creator>Catherine M. Soussloff</dc:creator>
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<dc:title><![CDATA[The Trouble with Painting, the Image (less) Text]]></dc:title>
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<title><![CDATA[Mapping City Crime and the New Aesthetic of Danger]]></title>
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<description><![CDATA[Aurora Wallace<br />Apr  1, 2009; 8:5-24<br />Article]]></description>
<dc:creator>Aurora Wallace</dc:creator>
<dc:date>2009-04-01</dc:date>
<dc:identifier>10.1177/1470412908100900</dc:identifier>
<dc:title><![CDATA[Mapping City Crime and the New Aesthetic of Danger]]></dc:title>
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<title><![CDATA[There Are No Visual Media]]></title>
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<description><![CDATA[W. J.T. Mitchell<br />Aug  1, 2005; 4:257-266<br />Article]]></description>
<dc:creator>W. J.T. Mitchell</dc:creator>
<dc:date>2005-08-01</dc:date>
<dc:identifier>10.1177/1470412905054673</dc:identifier>
<dc:title><![CDATA[There Are No Visual Media]]></dc:title>
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<title><![CDATA[Visual essentialism and the object of visual culture]]></title>
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<description><![CDATA[Mieke Bal<br />Apr  1, 2003; 2:5-32<br />Article]]></description>
<dc:creator>Mieke Bal</dc:creator>
<dc:date>2003-04-01</dc:date>
<dc:identifier>10.1177/147041290300200101</dc:identifier>
<dc:title><![CDATA[Visual essentialism and the object of visual culture]]></dc:title>
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<title><![CDATA[The Future Gaze: City Panoramas as Politico-Emotive Geographies]]></title>
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<description><![CDATA[Andre Jansson, Amanda Lagerkvist<br />Apr  1, 2009; 8:25-53<br />Article]]></description>
<dc:creator>Andre Jansson, Amanda Lagerkvist</dc:creator>
<dc:date>2009-04-01</dc:date>
<dc:identifier>10.1177/1470412908100902</dc:identifier>
<dc:title><![CDATA[The Future Gaze: City Panoramas as Politico-Emotive Geographies]]></dc:title>
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<title><![CDATA[Cripping Heterosexuality, Queering Able-Bodiedness: Murderball, Brokeback Mountain and the Contested Masculine Body]]></title>
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<description><![CDATA[Cynthia Barounis<br />Apr  1, 2009; 8:54-75<br />Article]]></description>
<dc:creator>Cynthia Barounis</dc:creator>
<dc:date>2009-04-01</dc:date>
<dc:identifier>10.1177/1470412908091938</dc:identifier>
<dc:title><![CDATA[Cripping Heterosexuality, Queering Able-Bodiedness: Murderball, Brokeback Mountain and the Contested Masculine Body]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
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<item rdf:about="http://vcu.sagepub.com/cgi/content/short/5/1/53?rss=1&amp;ssource=mfc">
<title><![CDATA[On Visuality]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/5/1/53?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Nicholas Mirzoeff<br />Apr  1, 2006; 5:53-79<br />Article]]></description>
<dc:creator>Nicholas Mirzoeff</dc:creator>
<dc:date>2006-04-01</dc:date>
<dc:identifier>10.1177/1470412906062285</dc:identifier>
<dc:title><![CDATA[On Visuality]]></dc:title>
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<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/3/293?rss=1&amp;ssource=mfc">
<title><![CDATA[Within/Without: Awareness and the Practice of Seeing]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/3/293?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mary Robinson<br />Dec  1, 2008; 7:293-308<br />Article]]></description>
<dc:creator>Mary Robinson</dc:creator>
<dc:date>2008-12-01</dc:date>
<dc:identifier>10.1177/1470412908096338</dc:identifier>
<dc:title><![CDATA[Within/Without: Awareness and the Practice of Seeing]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
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<title><![CDATA[Cultural relativism and the visual turn]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/3/267?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Martin Jay<br />Dec  1, 2002; 1:267-278<br />Article]]></description>
<dc:creator>Martin Jay</dc:creator>
<dc:date>2002-12-01</dc:date>
<dc:identifier>10.1177/147041290200100301</dc:identifier>
<dc:title><![CDATA[Cultural relativism and the visual turn]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
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<title><![CDATA[Film and the digital in visual studies: film studies in the era of convergence]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/1/7?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lisa Cartwright<br />Apr  1, 2002; 1:7-23<br />Article]]></description>
<dc:creator>Lisa Cartwright</dc:creator>
<dc:date>2002-04-01</dc:date>
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<dc:title><![CDATA[Film and the digital in visual studies: film studies in the era of convergence]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
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<title><![CDATA[Marking Time, Figuring Space: Gesture and the Embodied Moment]]></title>
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<description><![CDATA[Sara Schneckloth<br />Dec  1, 2008; 7:277-292<br />Article]]></description>
<dc:creator>Sara Schneckloth</dc:creator>
<dc:date>2008-12-01</dc:date>
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<dc:title><![CDATA[Marking Time, Figuring Space: Gesture and the Embodied Moment]]></dc:title>
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<title><![CDATA[Jacques Ranciere, The Future of the Image. London: Verso, 2007. 160 pp. ISBN 1844671070]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/3/376?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jae Emerling<br />Dec  1, 2008; 7:376-381<br />Article]]></description>
<dc:creator>Jae Emerling</dc:creator>
<dc:date>2008-12-01</dc:date>
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<dc:title><![CDATA[Jacques Ranciere, The Future of the Image. London: Verso, 2007. 160 pp. ISBN 1844671070]]></dc:title>
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<title><![CDATA[Translating Translation]]></title>
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<description><![CDATA[Mieke Bal<br />Apr  1, 2007; 6:109-124<br />Article]]></description>
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<dc:date>2007-04-01</dc:date>
<dc:identifier>10.1177/1470412907075072</dc:identifier>
<dc:title><![CDATA[Translating Translation]]></dc:title>
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<item rdf:about="http://vcu.sagepub.com/cgi/content/short/6/3/365?rss=1&amp;ssource=mfc">
<title><![CDATA[Spectacle's Politics and the Singapore Biennale]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/6/3/365?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jeannine Tang<br />Dec  1, 2007; 6:365-377<br />Article]]></description>
<dc:creator>Jeannine Tang</dc:creator>
<dc:date>2007-12-01</dc:date>
<dc:identifier>10.1177/1470412907084519</dc:identifier>
<dc:title><![CDATA[Spectacle's Politics and the Singapore Biennale]]></dc:title>
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<item rdf:about="http://vcu.sagepub.com/cgi/content/short/5/1/86?rss=1&amp;ssource=mfc">
<title><![CDATA[War Porn]]></title>
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<description><![CDATA[Jean Baudrillard<br />Apr  1, 2006; 5:86-88<br />Article]]></description>
<dc:creator>Jean Baudrillard</dc:creator>
<dc:date>2006-04-01</dc:date>
<dc:identifier>10.1177/147041290600500107</dc:identifier>
<dc:title><![CDATA[War Porn]]></dc:title>
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<title><![CDATA[Virtual Child Porn: The Law and the Semiotics of the Image]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/3/1/17?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Chuck Kleinhans<br />Apr  1, 2004; 3:17-34<br />Article]]></description>
<dc:creator>Chuck Kleinhans</dc:creator>
<dc:date>2004-04-01</dc:date>
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<dc:title><![CDATA[Virtual Child Porn: The Law and the Semiotics of the Image]]></dc:title>
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<title><![CDATA[Performing Show and Tell: Disciplines of Visual Culture and Performance Studies]]></title>
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<description><![CDATA[Shannon Jackson<br />Aug  1, 2005; 4:163-177<br />Article]]></description>
<dc:creator>Shannon Jackson</dc:creator>
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<dc:title><![CDATA[Performing Show and Tell: Disciplines of Visual Culture and Performance Studies]]></dc:title>
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<item rdf:about="http://vcu.sagepub.com/cgi/content/short/6/1/5?rss=1&amp;ssource=mfc">
<title><![CDATA[Editorial: Acts of Translation]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/6/1/5?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mieke Bal, Joanne Morra<br />Apr  1, 2007; 6:5-11<br />Article]]></description>
<dc:creator>Mieke Bal, Joanne Morra</dc:creator>
<dc:date>2007-04-01</dc:date>
<dc:identifier>10.1177/1470412907076198</dc:identifier>
<dc:title><![CDATA[Editorial: Acts of Translation]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/8/1/76?rss=1&amp;ssource=mfc">
<title><![CDATA[The Apartheid Museum: Performing a Spatial Dialectics]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/8/1/76?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Elizabeth Rankin, Leoni Schmidt<br />Apr  1, 2009; 8:76-102<br />Article]]></description>
<dc:creator>Elizabeth Rankin, Leoni Schmidt</dc:creator>
<dc:date>2009-04-01</dc:date>
<dc:identifier>10.1177/1470412908100901</dc:identifier>
<dc:title><![CDATA[The Apartheid Museum: Performing a Spatial Dialectics]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/4/2/139?rss=1&amp;ssource=mfc">
<title><![CDATA[Introduction to Show and Tell]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/4/2/139?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Martin Jay<br />Aug  1, 2005; 4:139-143<br />Article]]></description>
<dc:creator>Martin Jay</dc:creator>
<dc:date>2005-08-01</dc:date>
<dc:identifier>10.1177/1470412905057348</dc:identifier>
<dc:title><![CDATA[Introduction to Show and Tell]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/4/2/191?rss=1&amp;ssource=mfc">
<title><![CDATA['What History, Whose History, History to What Purpose?':         Notions of History in Art History and Visual Culture Studies]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/4/2/191?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Ernst van Alphen<br />Aug  1, 2005; 4:191-202<br />Article]]></description>
<dc:creator>Ernst van Alphen</dc:creator>
<dc:date>2005-08-01</dc:date>
<dc:identifier>10.1177/1470412905054670</dc:identifier>
<dc:title><![CDATA['What History, Whose History, History to What Purpose?':         Notions of History in Art History and Visual Culture Studies]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/4/3/329?rss=1&amp;ssource=mfc">
<title><![CDATA[The Burning Mirror: Photography in an Ambivalent Light]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/4/3/329?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Melissa Miles<br />Dec  1, 2005; 4:329-349<br />Article]]></description>
<dc:creator>Melissa Miles</dc:creator>
<dc:date>2005-12-01</dc:date>
<dc:identifier>10.1177/1470412905058351</dc:identifier>
<dc:title><![CDATA[The Burning Mirror: Photography in an Ambivalent Light]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/3/1/77?rss=1&amp;ssource=mfc">
<title><![CDATA[Photogenic Poverty: Souvenirs and Infantilism]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/3/1/77?rss=1&amp;ssource=mfc</link>
<description><![CDATA[John Hutnyk<br />Apr  1, 2004; 3:77-94<br />Article]]></description>
<dc:creator>John Hutnyk</dc:creator>
<dc:date>2004-04-01</dc:date>
<dc:identifier>10.1177/1470412904042266</dc:identifier>
<dc:title><![CDATA[Photogenic Poverty: Souvenirs and Infantilism]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/2/2/205?rss=1&amp;ssource=mfc">
<title><![CDATA[Affect as Medium, or the `Digital-Facial-Image']]></title>
<link>http://vcu.sagepub.com/cgi/content/short/2/2/205?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mark B.N. Hansen<br />Aug  1, 2003; 2:205-228<br />Article]]></description>
<dc:creator>Mark B.N. Hansen</dc:creator>
<dc:date>2003-08-01</dc:date>
<dc:identifier>10.1177/14704129030022004</dc:identifier>
<dc:title><![CDATA[Affect as Medium, or the `Digital-Facial-Image']]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/6/1/44?rss=1&amp;ssource=mfc">
<title><![CDATA[Translating the Essay into Film and Installation]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/6/1/44?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Nora M. Alter<br />Apr  1, 2007; 6:44-57<br />Article]]></description>
<dc:creator>Nora M. Alter</dc:creator>
<dc:date>2007-04-01</dc:date>
<dc:identifier>10.1177/1470412907075068</dc:identifier>
<dc:title><![CDATA[Translating the Essay into Film and Installation]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/4/1/75?rss=1&amp;ssource=mfc">
<title><![CDATA[Visual Studies, Historiography and Aesthetics]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/4/1/75?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mark A. Cheetham, Michael Ann Holly, Keith Moxey<br />Apr  1, 2005; 4:75-90<br />Article]]></description>
<dc:creator>Mark A. Cheetham, Michael Ann Holly, Keith Moxey</dc:creator>
<dc:date>2005-04-01</dc:date>
<dc:identifier>10.1177/1470412905050637</dc:identifier>
<dc:title><![CDATA[Visual Studies, Historiography and Aesthetics]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/3/2/223?rss=1&amp;ssource=mfc">
<title><![CDATA['Live in Your World, Play in Ours': The Spaces of Video         Game Identity]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/3/2/223?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Sheila C. Murphy<br />Aug  1, 2004; 3:223-238<br />Article]]></description>
<dc:creator>Sheila C. Murphy</dc:creator>
<dc:date>2004-08-01</dc:date>
<dc:identifier>10.1177/1470412904044801</dc:identifier>
<dc:title><![CDATA['Live in Your World, Play in Ours': The Spaces of Video         Game Identity]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/2/181?rss=1&amp;ssource=mfc">
<title><![CDATA[Seeing Differently: From Antonioni's Blow Up (1966) to Shezad Dawood's Make         It Big (2005)]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/2/181?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Amelia Jones<br />Aug  1, 2008; 7:181-203<br />Article]]></description>
<dc:creator>Amelia Jones</dc:creator>
<dc:date>2008-08-01</dc:date>
<dc:identifier>10.1177/1470412908091937</dc:identifier>
<dc:title><![CDATA[Seeing Differently: From Antonioni's Blow Up (1966) to Shezad Dawood's Make         It Big (2005)]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/1/1/105?rss=1&amp;ssource=mfc">
<title><![CDATA[Obscure imaginings: visual culture and the anatomy of caves]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/1/105?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mark A. Cheetham, Elizabeth D. Harvey<br />Apr  1, 2002; 1:105-126<br />Article]]></description>
<dc:creator>Mark A. Cheetham, Elizabeth D. Harvey</dc:creator>
<dc:date>2002-04-01</dc:date>
<dc:identifier>10.1177/147041290200100111</dc:identifier>
<dc:title><![CDATA[Obscure imaginings: visual culture and the anatomy of caves]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/4/2/237?rss=1&amp;ssource=mfc">
<title><![CDATA[Visual Studies, or the Ossification of Thought]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/4/2/237?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Marquard Smith<br />Aug  1, 2005; 4:237-256<br />Article]]></description>
<dc:creator>Marquard Smith</dc:creator>
<dc:date>2005-08-01</dc:date>
<dc:identifier>10.1177/1470412905057350</dc:identifier>
<dc:title><![CDATA[Visual Studies, or the Ossification of Thought]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/6/3/359?rss=1&amp;ssource=mfc">
<title><![CDATA[Futures, Cities]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/6/3/359?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Hans Ulrich Obrist<br />Dec  1, 2007; 6:359-364<br />Article]]></description>
<dc:creator>Hans Ulrich Obrist</dc:creator>
<dc:date>2007-12-01</dc:date>
<dc:identifier>10.1177/1470412907084517</dc:identifier>
<dc:title><![CDATA[Futures, Cities]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/2/165?rss=1&amp;ssource=mfc">
<title><![CDATA[Veiled Subjects: Shirin Neshat and Non-liberatory Agency]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/2/165?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Adair Rounthwaite<br />Aug  1, 2008; 7:165-180<br />Article]]></description>
<dc:creator>Adair Rounthwaite</dc:creator>
<dc:date>2008-08-01</dc:date>
<dc:identifier>10.1177/1470412908091936</dc:identifier>
<dc:title><![CDATA[Veiled Subjects: Shirin Neshat and Non-liberatory Agency]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/1/1/87?rss=1&amp;ssource=mfc">
<title><![CDATA[That visual turn]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/1/87?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Martin Jay<br />Apr  1, 2002; 1:87-92<br />Article]]></description>
<dc:creator>Martin Jay</dc:creator>
<dc:date>2002-04-01</dc:date>
<dc:identifier>10.1177/147041290200100108</dc:identifier>
<dc:title><![CDATA[That visual turn]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/1/3/325?rss=1&amp;ssource=mfc">
<title><![CDATA[Globalization, cosmopolitanism, politics, and the citizen]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/3/325?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Susan Buck-Morss<br />Dec  1, 2002; 1:325-340<br />Article]]></description>
<dc:creator>Susan Buck-Morss</dc:creator>
<dc:date>2002-12-01</dc:date>
<dc:identifier>10.1177/147041290200100305</dc:identifier>
<dc:title><![CDATA[Globalization, cosmopolitanism, politics, and the citizen]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/4/2/145?rss=1&amp;ssource=mfc">
<title><![CDATA[The Commitment to Look]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/4/2/145?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mieke Bal<br />Aug  1, 2005; 4:145-162<br />Article]]></description>
<dc:creator>Mieke Bal</dc:creator>
<dc:date>2005-08-01</dc:date>
<dc:identifier>10.1177/1470412905054671</dc:identifier>
<dc:title><![CDATA[The Commitment to Look]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/1/1/67?rss=1&amp;ssource=mfc">
<title><![CDATA[Visual studies as media studies]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/1/67?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mark Poster<br />Apr  1, 2002; 1:67-70<br />Article]]></description>
<dc:creator>Mark Poster</dc:creator>
<dc:date>2002-04-01</dc:date>
<dc:identifier>10.1177/147041290200100106</dc:identifier>
<dc:title><![CDATA[Visual studies as media studies]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/1/3/359?rss=1&amp;ssource=mfc">
<title><![CDATA[Visual and audiovisual: from image to moving image]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/1/3/359?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Sean Cubitt<br />Dec  1, 2002; 1:359-368<br />Article]]></description>
<dc:creator>Sean Cubitt</dc:creator>
<dc:date>2002-12-01</dc:date>
<dc:identifier>10.1177/147041290200100307</dc:identifier>
<dc:title><![CDATA[Visual and audiovisual: from image to moving image]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/1/103?rss=1&amp;ssource=mfc">
<title><![CDATA[`Living Flesh': Animal--Human Surfaces]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/1/103?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Ron Broglio<br />Apr  1, 2008; 7:103-121<br />Article]]></description>
<dc:creator>Ron Broglio</dc:creator>
<dc:date>2008-04-01</dc:date>
<dc:identifier>10.1177/1470412907084505</dc:identifier>
<dc:title><![CDATA[`Living Flesh': Animal--Human Surfaces]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/5/1/83?rss=1&amp;ssource=mfc">
<title><![CDATA[The Effects of the Pictures]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/5/1/83?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Alphonso Lingis<br />Apr  1, 2006; 5:83-86<br />Article]]></description>
<dc:creator>Alphonso Lingis</dc:creator>
<dc:date>2006-04-01</dc:date>
<dc:identifier>10.1177/147041290600500106</dc:identifier>
<dc:title><![CDATA[The Effects of the Pictures]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/1/65?rss=1&amp;ssource=mfc">
<title><![CDATA[Pornotropes]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/1/65?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Alexander G. Weheliye<br />Apr  1, 2008; 7:65-81<br />Article]]></description>
<dc:creator>Alexander G. Weheliye</dc:creator>
<dc:date>2008-04-01</dc:date>
<dc:identifier>10.1177/1470412907087202</dc:identifier>
<dc:title><![CDATA[Pornotropes]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/1/5?rss=1&amp;ssource=mfc">
<title><![CDATA[Romantic Automatism: Art, Technology, and Collaborative Labor in Cold War America]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/1/5?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Fred Turner<br />Apr  1, 2008; 7:5-26<br />Article]]></description>
<dc:creator>Fred Turner</dc:creator>
<dc:date>2008-04-01</dc:date>
<dc:identifier>10.1177/1470412907087201</dc:identifier>
<dc:title><![CDATA[Romantic Automatism: Art, Technology, and Collaborative Labor in Cold War America]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/7/1/41?rss=1&amp;ssource=mfc">
<title><![CDATA[Seeing/Loving Animals: Andre Bazin's Posthumanism]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/7/1/41?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jennifer Fay<br />Apr  1, 2008; 7:41-64<br />Article]]></description>
<dc:creator>Jennifer Fay</dc:creator>
<dc:date>2008-04-01</dc:date>
<dc:identifier>10.1177/1470412907088175</dc:identifier>
<dc:title><![CDATA[Seeing/Loving Animals: Andre Bazin's Posthumanism]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/6/2/171?rss=1&amp;ssource=mfc">
<title><![CDATA[journal of visual culture: Introduction Detritus and the Moving Image: Ephemera, Materiality, History]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/6/2/171?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Amelie Hastie<br />Aug  1, 2007; 6:171-174<br />Article]]></description>
<dc:creator>Amelie Hastie</dc:creator>
<dc:date>2007-08-01</dc:date>
<dc:identifier>10.1177/1470412907078553</dc:identifier>
<dc:title><![CDATA[journal of visual culture: Introduction Detritus and the Moving Image: Ephemera, Materiality, History]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/3/2/239?rss=1&amp;ssource=mfc">
<title><![CDATA[Berlin, the Virtual Global City]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/3/2/239?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Janet Ward<br />Aug  1, 2004; 3:239-256<br />Article]]></description>
<dc:creator>Janet Ward</dc:creator>
<dc:date>2004-08-01</dc:date>
<dc:identifier>10.1177/1470412904044819</dc:identifier>
<dc:title><![CDATA[Berlin, the Virtual Global City]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/6/1/149?rss=1&amp;ssource=mfc">
<title><![CDATA[Untranslatable? The `Reading' versus the `Looking']]></title>
<link>http://vcu.sagepub.com/cgi/content/short/6/1/149?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Emily Apter<br />Apr  1, 2007; 6:149-156<br />Article]]></description>
<dc:creator>Emily Apter</dc:creator>
<dc:date>2007-04-01</dc:date>
<dc:identifier>10.1177/1470412907075075</dc:identifier>
<dc:title><![CDATA[Untranslatable? The `Reading' versus the `Looking']]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

<item rdf:about="http://vcu.sagepub.com/cgi/content/short/8/1/116?rss=1&amp;ssource=mfc">
<title><![CDATA[Signs of Conflict: Political Posters of Lebanon's Civil War (1975--1990) Planet Discovery Exhibition Hall, Beirut, 12--21 April]]></title>
<link>http://vcu.sagepub.com/cgi/content/short/8/1/116?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Chad Elias<br />Apr  1, 2009; 8:116-120<br />Article]]></description>
<dc:creator>Chad Elias</dc:creator>
<dc:date>2009-04-01</dc:date>
<dc:identifier>10.1177/1470412909102887</dc:identifier>
<dc:title><![CDATA[Signs of Conflict: Political Posters of Lebanon's Civil War (1975--1990) Planet Discovery Exhibition Hall, Beirut, 12--21 April]]></dc:title>
<dc:publisher>SAGE Publications</dc:publisher>
</item>

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