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Journal of Visual Culture
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Up Close and From Afar: Curating Hong Kong from Dual Perspectives

Sally Lai

UK Clore Leadership Programme. Arrivals and Departures: New Perspectives of Hong Kong was at Urbis, Manchester, UK, miss.sally.lai.{at}hotmail.com

References

  • Ackbar, A. (1997) `Other Histories, Other Politics', Public Culture 9(3): 293—313.[Free Full Text]
  • Doherty, C. (2004) Contemporary Art: From Studio to Situation. London: Black Dog.
  • Ford, N. (2007) Star Fairy: Hong Kong in Venice, exhibition catalogue. Hong Kong: Hong Kong Arts Development Council and 52nd Venice Biennale.
  • Rogoff, I., in conversation with C. David (2004), in C. Doherty (ed.) Contemporary Art: From Studio to Situation. London: Black Dog.
  • Siu, K.C. (2007) `About Arrivals and Departures: A Curatorial Dialogue', Yishu: Journal of Contemporary Chinese Art 16(2), June: 42—52.
  • Yau, E. (1994) `Border Crossing', in N. Browne et al. (eds) New Chinese Cinemas: Forms, Identities, Politics. Cambridge: Cambridge University Press.

Journal of Visual Culture, Vol. 6, No. 3, 355-358 (2007)
DOI: 10.1177/1470412907084516


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This Article
Right arrow Free Full Text (Free PDF) Free
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
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Right arrow Alert me to new issues of the journal
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Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Lai, S.
Right arrow Search for Related Content
Social Bookmarking
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What's this?