The Future Was When: Art Criticism and the Comparative Tenses of Hong Kong and Singapore

Sign In to gain access to subscriptions and/or personal tools.

This Article

	Free Full Text (Free PDF) Free
	Alert me when this article is cited
	Alert me if a correction is posted

Services

	Email this article to a friend
	Similar articles in this journal
	Alert me to new issues of the journal
	Add to Saved Citations
	Download to citation manager
	Request Permissions
	Request Reprints
	Add to My Marked Citations

Citing Articles

	Citing Articles via Google Scholar
	Citing Articles via Scopus

Google Scholar

	Articles by Lee Weng Choy
	Search for Related Content

Social Bookmarking

	What's this?

Lee Weng Choy

Substation arts centre in Singapore, wengchoy{at}pacific.net.sg

References

Abbas, A. (1998) Hong Kong — Culture and the Politics of Disappearance. Hong Kong: Hong Kong University Press.

Benjamin, W. (1969[1940]) `Theses on the Philosophy of History', in H. Arendt (ed.) Illuminations, trans. Harry Zohn, pp. 253—64. New York: Schocken Books.

Berger, Tobias (2005) `Hong Kong SAR: Special Art Region', Yishu: Journal of Contemporary Chinese Art 4(4), December: 6—9.

Lau, J.K.W. (2005) `Ex-change: Im-possibility/Dis-appearance in Time/Space: A Solution Out of No Solutions, Or, Not Taking "No" as an Answer...', in L. Lai (ed.) A Matter of Ownership: An Exchange between Para/Site and The Substation, pp. B36—B53. Hong Kong: Para/ Site Art Space.

Lau, J.K.W. (forthcoming) `Art and Politics: From a Draft Plan Studying Para/Site Art Space in its Past Ten years from a Political Angle, to the Forming of a Critique of the Parasitic Ideology of De-politicization in Post-97 Hong Hong', draft version, Para/Site Art Space, Hong Kong.

Lee, W.C. (2004) `Authenticity, Reflexivity & Spectacle: or, the Rise of New Asia Is Not the End of the World', in Joan Kee (ed.), special issue of Positions: East Asia Cultures Critiques 12(3): 643—66.[CrossRef]