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Journal of Visual Culture
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journal of visual culture

The Flotsam and Jetsam of Film History: Hei Tiki and Postcolonial Rearticulations

Peter Limbrick

University of California, Santa Cruz, limbrick{at}ucsc.edu

This essay addresses the film Hei Tiki (Alexander Markey, 1935) within the context of colonial transactions and postcolonial rearticulations. The film itself and the leftovers of its production are considered as colonial `flotsam and jetsam' that have been picked up and refashioned in new ways.

Key Words: Aotearoa • colonial • film history • Maori • postcolonial • New Zealand

Journal of Visual Culture, Vol. 6, No. 2, 247-253 (2007)
DOI: 10.1177/1470412907078567
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